Showing posts with label Vincent van Gogh. Show all posts
Showing posts with label Vincent van Gogh. Show all posts

Tuesday, April 1, 2014

Personal Day

So, Dad's working in the city all day every day this week. Means this girl's stuck at home all week, right? 
Wrong. 
See, here's the thing. I just finished an evil two weeks of classes, including but not limited to an evil sociology research paper that ate my brain. I need some fun this week! So, I hatched a plan and I'm going to follow it through. 
I'm gonna ride into the city with Dad. I've been wanting to go to the art museum since I moved here, and Dad's thing isn't exactly close (okay, it'd be a three hour walk), with the intervention of public transportation, I'll get to spend the day in the museum. They have several Van Gogh pieces, which longtime followers will know would be a lifelong dream come true. Just to stand in the same room - amazing. Then, there's a pretty park around the corner that's served by several food trucks, so I can grab a bite to eat. I can take my camera, take some pictures, and I'll bring a journal for sitting in the park. The weather is supposed to be good, not too hot or too cold. I'll be by myself all day, which will be nice, and navigating the city will be good practice. I'm rather excited. Just have to study tomorrow, work tomorrow night, then I get to have my adventure.

Monday, October 15, 2012

Lust for Life


(Post title being a reference to the biographical novel, bearing the same title, of the life of Vincent van Gogh, written by Irving Stone)

 I've been thinking about Vincent van Gogh. And about sunflowers. About how he's the reason that I love sunflowers. Because they make me think of the person I'd like to be. I'd like to be the sort of person who would've stood by him. I'd like to think I would've stood by him. Because he was spectacular, even though he was different and difficult and tragic. He deserved to have somebody stand by him, just one person to take his hand when the rest of the world turned their backs on him, to make his life better and brighter when it was dark, to give him hope and strength and quiet the demons in his head. And that's the person I'd like to be. I'd like to love the different and the difficult, and to be able to see the spectacular in the different and the difficult. 

I've been thinking of Vincent van Gogh. You know he started out his life wanting to be a missionary? His whole heart wanted to serve God and help people, and he was so willing to give up what he was born for to do it. He wound up in a mining town, trying to preach hope and redemption to people who had literally no way out, and he made himself sick trying to help them, gave them everything he had, down to the shirt on his back, to try and make their lives better. And he just saw too much of pain and hurt to go on believing in a good God. And then these people, the mission board, decided that he wasn't good enough to do what he was doing, and that was enough to make him snap, to turn his back on God. I've wondered why God would let that happen to someone who loved Him and only wanted to serve Him, but then I kind of realized: it took snapping and turning away from God for him to make a selfish decision. Without that, he never would've chosen to do what made him happy for the rest of his life. Cause he didn't paint for anyone else, not a soul ever told him that was he was doing was good, was worth it. He did it because he loved it. And think of what the world gained because of it? Maybe God let him go, pushed him away, to let him do what he was born to do, and to give the world a gift. Maybe what we think of as the selfish decision, can sometimes be the most beautiful thing of all.



Thursday, February 23, 2012

To Love an Artist

So I watched that movie about Vincent van Gogh; and consequently realized that he lived in the Victorian era.
Which would be the same time that my dearling little main character Katie, the one in the Sherlock Holmes story, would have walked the earth.
They were on the same planet at the same time. Ergo, they might, potentially, have met.
I decided to run with it, because I like Vincent van Gogh, as a person, a heck of a lot better than Sherlock Holmes. And it would, admittedly, be nice to see what my Katie would do in a situation with someone who is free of Sherlock's, well, shall we say, emotional constipation.
I started working on what I thought was going to be a bit of a character study, or something like that; short and cursory, to get a feel for how these two (my fictional character and a historical figure I like/respect/admire) would interact.
It turned into a 1600 word short story. With a plot. And stuff.
And the scariest part is, I actually like it. I hate it when I like stuff I write. There's that whole "murder your darlings" thing, and whatnot.
So anyway, if you'd like to read the story, entitled "To Love an Artist," you can find it on my inkpop profile. I wouldn't suggest spending much time over there, or (heaven forbid) reading anything else I have up, but I'd like to share this one with you guys and sixteen hundred words is a bit overkill for a blog post. So anyway, without further ado, To Love an Artist.

Friday, February 17, 2012

Vincent van Gogh: Painted With Words OR When Did This Blog Become About Reviewing Things?

No, seriously, I don't know, but I keep watching movies, and I keep wanting to say something about them, and the best place to do that is this blog, which has so narrow a readership I needn't fear scaring readers away by talking about things that don't interest them. Yes, I know, my opinion doesn't actually matter. But I get a kick out of writing these things, and I'm sure as anything not going to post them to Facebook.

Painted With Words was another youtube find (six fifteen-minute videos this time), another BBC film I'd heard good things about and wanted to see for myself.
It consists of really well-played drama, interspersed with informational narration from one Mr. Alan Yentob, who was also instrumental in piecing the film together.
When I say piecing together, I mean it quite literally. The movie was made up entirely of real letters, mostly between Vincent and his younger brother Theo. It also used the actual testimonies of people who knew the artist. I can neither fathom nor appreciate the amount of work that must have gone into this project! To assemble all of that information, to painstakingly go through it and piece it together into a script and a screenplay? It's absolutely incredible. But it's so wonderful to know, as you're watching the movie, that it has absolute truth. This isn't opinion. No one has had the opportunity to color or distort or manipulate things to bend a viewer's opinion of the life of the biographee (a word my word processor tells me is incorrect but the dictionary assures me actually exists). And at moments, throughout the film, when one feels as though something were too good, or to bad, to be entirely true, there's a sort of comfort in knowing that it is.
It was a great performance, acting wise, on all fronts; but especially from the gentleman in the title role. To take a real person, and to bring him so completely alive, until the viewer feels as though they might just reach through the screen and touch it; well, it is doubtless the mark of talent. Actors are often praised for being moving, for evoking sympathy from the audience, but this went a step further. What I felt was not sympathy, but compassion. An absolutely irrational wish that I could have been born a hundred and fifty years ago, just to have had a chance to make some difference in the life of this mad, hurting, terrifically lonesome artist. As acting, this steps beyond talent to genius.
Visually, the movie is stunning. I could tell, almost, that filmmakers were trying to make their viewers see things as Vincent must have; trying to express the beauty he found in nature.
Also worth mentioning, in the field of things visual, that some of the asides from the narrator (which gave facts and information about the events of van Gogh's life) were filmed in the actual locations spoken of. An art supply store or a bar the artist frequented, a house he lived in! It had a sort of way tying it all together, the past and the present.
And there's something to be said about a movie that makes you want to learn things. As I watched, I found myself infuriated by not recognizing the names of other artists mentioned in passing, as contemporaries of van Gogh or influences on his style. I wished I already knew every name of every painter, and could connect the name in my head with style, with principal works, with biographical data even! And while I may not act on this infuriation (i.e. making a study of every famous painter ever), there's something to be said for the fact that Painted with Words made me want to.
About the man himself, Vincent van Gogh strikes me as, over all, incredibly unlucky. I never knew, before tonight, that he tried and failed both to enter the church and to go into missionary work before deciding to be a painter. Unlucky in love, unlucky in relationships, terrifically unlucky in how ill-received his work was. But more than that, it seems to me that he just had too much passion to get on well in the normal world. I can't imagine anyone I've ever known, myself very much included, to have the capability of ever feeling anything a half, a quarter, as deeply as van Gogh did. We see this in his work, and, through this movie, in his letters; to quote his brother (somewhere towards the end of the movie), "Life weighed so heavily on him."
Throughout the movie van Gogh speaks of the obligation, the duty even, that he feels to make something of his talent, to leave something to the world, as a way of saying thank you. Almost ironic, when you look at how very little the world ever did for him; and yet...apparently he didn't see it that way.
I don't often cry during movies; and, as these things go, Painted with Words wouldn't be classified as a tearjerker. I sobbed, though; less at the end, when the artist died, than about three-quarters of the way through. There was a bit of monologue from his younger brother Theo about Vincent's sad state of mental health, given while he was perusing Vincent's most recent paintings. Hearing the person who loved and knew Vincent the best talk about how troubled and hurting he was, while looking at the fantastic beauty of his paintings; I didn't start really crying until it came to Starry Night.
The quote that maybe sums it all up best comes, not from Painted with Words, but, unsurprisingly, Doctor Who (and, whatever you do, do NOT watch the last ten minutes of Vincent and the Doctor immediately after finishing Painted with Words, unless you are alone, with plenty of tissues, and actually enjoy crying), "Van Gogh is the finest painter of them all...He transformed the pain of his tormented life into ecstatic beauty. Pain is easy to portray, but to use your passion and pain to portray the ecstasy and joy and magnificence of our world, no one had ever done it before. Perhaps no one ever will again. To my mind [van Gogh] was not only the world's greatest artist, but also one of the greatest men who ever lived."

If you want to watch the movie, which you really should, you can find a youtube playlist for it here, and in case the playlist goes down ('cause there's nothing I hate more than a broken link), the first video is here.
As for my favorite parts, or favorite quotes, well, really, just watch the whole thing, and you'll understand why I can't pick favorites.
So I just caught my parents (they thought they were being sneaky) making a midnight cookie raid on the kitchen . . .

In fairness, they caught me awake at half-past twelve watching a drama/documentary about the life and work of Vincent van Gogh.

I guess it's best to let the subject drop, huh?

And, speaking of Vincent van Gogh, review to follow shortly (when I manage to stop sobbing).